Originally published in Brick 103 (2019) to accompany the essay "Prelude to a Memory of Dominica," this [work] is a meditation that relies on a series of deliberative transpositions—of gazes, my understanding of them, and their eventual disintegration—that, I argue, are only possible as I walk through a Caribbean city (Roseau, Dominica's capital). Photographed in 2014, the series considers anonymity, memory, and the ineffable silences that exist in/between everyday thresholds that one may see but never touch, pass but never enter. Unless, or until, one returns.